
Idiots
2026
“Watched on Thursday August 27, 2026.”














2026
“Watched on Thursday August 27, 2026.”

2026
“Watched on Thursday August 27, 2026.”

2026
“Watched on Sunday August 23, 2026.”

2026
“Watched on Friday August 21, 2026.”

2026
“Watched on Thursday August 13, 2026.”

2005

2023
“Watched on Wednesday August 12, 2026.”
2026
“Watched on Tuesday August 11, 2026.”

2026
“Toy Story 5 is a pretty bittersweet movie. There were a lot of moments where I found myself wondering why this franchise was still going, especially since I'm not the biggest fan of Toy Story 4. But by the end, I think this movie justifies its existence. The message is very intentional, obvious, and not exactly subtle, but I honestly think that's the point. Considering the target audience, it makes sense. At the same time, I don't really think this movie is for kids. It feels like it's for the generation that grew up with Toy Story. To me, the movie feels aimed at older Gen Z and millennials who have spent years living online and letting social media consume so much of their lives. It's a really beautiful reminder to slow down, look around, and appreciate the world that's right in front of you. It's a genuine show-don't-tell message about how much beauty there still is in everyday life, and that ended up being my biggest takeaway from the film. Quality-wise, I don't think it reaches the heights of the original Toy Story movies, but it doesn't have to. It's still a worthwhile addition to the franchise, and I left the theater much happier with it than I expected.”

2026
“One Night Only is genuinely one of the worst movies I've seen this year. It's tonally flat from beginning to end, and while it clearly tries to be satirical, it completely misses the mark. The acting is also incredibly rough, especially from Callum Turner. There are a rare few scenes that are actually kind of funny, but I honestly think that's mostly because the rest of the movie is so bad that those moments stand out more than they normally would. The biggest problem is that the movie just keeps going. It constantly drags the plot out long after it should have ended, and every new scene seems to be built around another poor decision after another. Instead of becoming more engaging, it just becomes more frustrating. The secondhand embarrassment throughout the film is almost unbearable, but not in a way that feels intentional or well written. It just comes across as awkward, uncomfortable, and honestly kind of gross. Overall, there's really not much that's redeemable here. The satire doesn't work, the performances don't work, and the story overstays its welcome by a mile. It's just a really terrible movie.”

2026
“Watched on Wednesday August 5, 2026.”

2026
“Watched on Friday July 31, 2026.”

2026
“Watched on Wednesday July 29, 2026.”

2026
“Watched on Thursday July 30, 2026.”

2025

2026

2024

2019

2022

2025

2019

2025

2025

2022

2019

2024

2024

2017

2018

2021

2026

2014

2023

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2026

2026

2019

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2026

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2026

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2021

2020

2005

2019

2025

2016
“Watched on Friday July 24, 2026.”

2026
“The Odyssey (2026) The Odyssey is without a doubt the greatest movie that will come out in 2026. It’s brilliantly shot, carefully crafted, and filled with incredible acting all around. The music genuinely shook me to my core, and there are so many standout moments throughout this film that it’s hard to even pick a favorite. As someone who read The Odyssey growing up, I do wish we could have seen a little more of the subtleties from the original story visualized on screen. There are also a few minor pacing issues, but realistically, this feels like the best adaptation we could have possibly gotten. And there was no one better to do it than Christopher Nolan. I genuinely can’t unsee Matt Damon as Odysseus now. He’s simply perfect for the role. Anne Hathaway, Robert Pattinson, Tom Holland, and Elliot Page are all standouts as well, and the entire cast helps make this world feel as massive and important as it should. I had the privilege of watching this in IMAX, and I simply could not be more content with the experience. Despite being three hours long, it went by incredibly fast. I genuinely could have sat there for another three hours. There’s one specific scene near the end that I won’t spoil, but it is absolutely mind-bending. It’s the kind of moment that leaves you with an incredible sense of satisfaction after everything that came before it, and it was easily one of the highlights of the entire experience. The Odyssey is everything I could have wanted from a modern adaptation of this story. Thank you to Christopher Nolan for bringing this into the world, and thank you to the entire cast for making such a brilliant film. Rating: 10/10”

2023
“Watched on Saturday July 11, 2026.”

2014

2018

2024

2023

2006

2022

2022

2023

2026

2019

2020

2022

2024
“Watched on Sunday July 5, 2026.”

2019

2025

2026

2026

2026
“Minions & Monsters (2026) Minions & Monsters was surprisingly engaging. I went into it with pretty low expectations, especially because I wasn't a fan of some of the more recent Despicable Me movies. Despicable Me 4 in particular left me fairly disappointed, so I wasn't expecting much from this. To my surprise, I was invested throughout most of the movie. A lot of the jokes actually landed, and while the plot is completely all over the place and the script is ironically undecipherable at times, the movie knows exactly what it is. It's clearly not trying to be taken too seriously, and that works in its favor. What surprised me the most was how culturally relevant it felt. Beneath all the chaos, it clearly plays like a metaphor for the direction the creative industry is heading. With AI art becoming more common and creativity becoming increasingly automated across industries like YouTube and Hollywood, the movie unexpectedly reminded me of what art actually is. It made me appreciate how much effort, passion, and vision go into creating something meaningful, and that's not a takeaway I ever expected to get from a Minions movie. Obviously, it's hard to rate a movie like this objectively. It's nowhere near the level of something like WALL-E or Up, but I don't think it was trying to be. For what it is, it's a fun movie that left me pleasantly surprised and gave me a lot more to think about than I expected. Rating: 7/10”

2026
“Supergirl (2026) Supergirl is honestly a hard movie to review. It has some really cool moments and ideas, but it also has some pretty obvious flaws that stop it from coming together as a whole. Milly Alcock is easily one of the biggest highlights. She brings a lot of charisma to the role and feels like a genuinely fresh take on Supergirl. Jason Momoa is also exactly what you’d expect as Lobo. He’s entertaining every time he’s on screen, although it does feel like the character could’ve benefited from more screen time and better development. There are a handful of moments that really work. The destruction of Krypton is handled well, a few of the emotional scenes actually land, and some of the cinematography is surprisingly strong. The space sequences especially stood out, and Superman is engaging whenever he appears. Unfortunately, the movie really struggles with pacing and the script. It feels all over the place, and some scenes are genuinely hard to watch. The third act is probably the weakest part of the film, especially the final fight scene. I won’t go into spoilers, but if you’ve seen the movie, you probably know exactly what I’m talking about. The CGI is also pretty rough at times, especially during the third act. It almost feels like the movie intentionally stages a lot of the action at night to help hide some of the visual effects, but even then it’s hard not to notice. The villain is another weak point. They’re generic, forgettable, and honestly I’ve already forgotten most of what they did. Overall, Supergirl has enough cool moments, strong performances, and interesting ideas to make it enjoyable, but it never really comes together into a consistently great movie. There’s definitely something good in here…it just feels buried under messy pacing, an uneven script, and some rough visual effects. Rating: 6/10”

2021

2016

2026
“Backrooms has one of the most interesting atmospheres of any horror movie I’ve seen in a long time, which honestly wasn’t surprising going in. The set design is absolutely incredible, the acting is strong, the visuals and camera work are great, and the dialogue is handled well. From a technical standpoint, there’s a lot to like here. The first act had me completely hooked. The atmosphere is unsettling, the mystery is compelling, and the movie does a great job pulling you into its world. The final scene is also pretty awesome and ends the film on a strong note. With that being said, it really feels like something is missing. I can’t even fully explain what that missing piece is, but somewhere along the way the movie turns into a directionless wandering through the halls. There are also multiple plot jumps that happen throughout the film that feel overly convoluted and are never explained particularly well. The movie also tries to lean into psychological thriller and psychological body horror elements, but it never feels like it fully commits to either. There are glimpses of something really great there, but it doesn’t quite reach the level that it feels capable of. Overall, Backrooms is still a solid horror film. Despite being fairly slow-paced, it never feels overly dragged out, and the atmosphere alone makes it worth watching. It’s clear what the filmmakers were trying to accomplish, and a lot of it works. I just can’t shake the feeling that there was an even better movie hiding somewhere beneath the surface. Rating: 7/10”

2026
“Masters of the Universe had a few standout moments that were genuinely impressive. The fight choreography was surprisingly strong in certain scenes, and the musical score ended up being way more engaging than expected. Whenever the movie leaned into the action and spectacle, it was at its best. Skeletor was easily the highlight of the entire film. Every time he was on screen, the movie got better. Nicholas Galitzine also does a great job and gives a solid performance throughout. That being said, the script is kind of all over the place, and the pacing can be pretty messy at times. Some parts move too quickly while others drag, making the movie feel a little uneven from start to finish. The humor was probably my biggest issue. Some of the jokes were genuinely cringe. It felt like the movie was leaning into peak MCU humor at times and not in a good way. One thing that also stood out was how much the movie pushed themes of traditional masculinity. After years of modern Hollywood movies moving away from that kind of messaging, it gave me whiplash. Whether that's positive or negative will probably depend on the viewer, but it was definitely noticeable. It is He-Man after all. Overall, Masters of the Universe is pretty much exactly what you'd expect. It's a fun time if you don't take it too seriously, and there are enough good action scenes and strong performances to keep it entertaining. It's not doing anything revolutionary, but it's enjoyable for what it is.”

2026
“Scary Movie is basically the same movie as the previous entries, except this one is a little more aware that it's repeating the same formula. The plot is obviously ridiculous, but that's not really what matters here. Nobody watches a Scary Movie film expecting a great story. The only thing that matters is whether the jokes are actually funny. To be honest, most of them weren't. There were definitely some jokes that got laughs out of me, and a few moments genuinely surprised me. The John Wick parody was pretty fun, and the K-pop Demon Hunters parody was handled better than I expected. Those were probably the standout moments of the movie. The problem is that for every joke that landed, there were just as many that completely missed. A lot of the humor either felt soulless or just didn't do anything for me. Since comedy is basically the entire point of these movies, that's a pretty big issue. Overall, this felt about as mediocre as most of the franchise. There are a few good moments and a handful of laughs, but nothing that really stands out compared to the other films. It's not terrible, and it definitely shouldn't be taken seriously, but it's also not particularly memorable. Rating: 5/10”

2025
“The Furious is exactly the kind of movie that works best when it's not taken too seriously. The plot is predictable, the writing is predictable, and pretty much every character falls into familiar tropes, but none of that really matters because the movie knows exactly what it's trying to be. At its core, it's a classic kung fu action film, something that feels surprisingly rare these days. The first 30 minutes had me a little worried. The opening fight scene relies heavily on CGI, and some of the choreography felt rough compared to what came later. Thankfully, once the film gets past that initial hurdle, everything becomes much more grounded, and the fight choreography absolutely shines. The action is easily the movie's biggest strength, and it's consistently entertaining from that point forward. The third act is completely insane in the best possible way. The movie embraces its chaos and never really slows down, delivering exactly the kind of over-the-top martial arts spectacle that fans of the genre are looking for. It's unrealistic, ridiculous at times, and all over the place, but that's part of the appeal. There are some technical issues that hold it back. The audio dubbing can feel noticeably off throughout the film, and there are moments where it's obvious certain lines were recorded or altered in post-production. It's not enough to ruin the experience, but it can be distracting. Overall, The Furious is simply a lot of fun. It doesn't take itself too seriously, and neither should the audience. Anyone looking for a deep story will probably be disappointed, but anyone looking for great martial arts action and a wildly entertaining third act will likely have a good time. Rating: 7/10”

2026
“Disclosure Day has a few cool moments, but overall it ends up feeling extremely flat. The film never fully comes together, and the disconnect between the first two acts and the final act creates a noticeably uneven experience. The tone feels all over the place, almost like the movie can't decide what kind of story it wants to tell. The biggest positive is the reveal near the end. It's easily the most memorable part of the film and provides a payoff that much of the story had been building toward. There are a handful of other interesting moments throughout, but the ending reveal is far and away the highlight. Unfortunately, a lot of the movie struggles to reach that same level. The acting is a weak point, particularly from the male protagonist, and the script falls into a lot of predictable territory. Many plot developments feel obvious, and the story rarely moves in an unexpected direction. Disclosure Day attempts to create intrigue by intentionally withholding information and allowing the audience to fill in the gaps, but the material that is actually presented never feels intelligent enough to support that approach. As a result, the missing context comes across as underdeveloped rather than thought-provoking. The film's depiction of extraterrestrials is also surprisingly odd. The visual design never quite works and often feels more distracting than compelling. At the end of the day, Disclosure Day feels like a much weaker version of Arrival. "Arrival from Temu" is probably the simplest way to describe it. The film borrows familiar ideas and attempts to build an intelligent sci-fi mystery, but the execution never reaches the level of its inspirations. A strong reveal and a few interesting moments keep it from being completely forgettable, but they're not enough to elevate the rest of the experience. Rating: 5/10”

2026
“Watched on Saturday May 23, 2026.”

2025
“Watched on Saturday May 23, 2026.”

2026
“Watched on Friday May 22, 2026.”

2026
“Watched on Thursday May 21, 2026.”

2025
“Watched on Saturday May 2, 2026.”

2026
“Watched on Thursday April 2, 2026.”

2026
“Watched on Thursday April 16, 2026.”

2026
“Watched on Monday April 6, 2026.”

2013

2015
“Watched on Friday April 10, 2026.”

2026
“Watched on Thursday April 9, 2026.”

2025

2025

2015

2024

2023

2014

2022

2015

2024

2017

2021

2024

2024

2015

2014

2023

2017

2019

2022

2017

2021

2022

2016

2021

2024

2017

2022

2022

2017

2020

2025

2024

2016

2026
“Watched on Friday March 20, 2026.”

2026
“Watched on Saturday March 28, 2026.”

2019
“Watched on Friday March 27, 2026.”

2026
“Watched on Thursday March 19, 2026.”

2022

2026

2023

2020

2023

2022

2016

2026
“Watched on Wednesday March 11, 2026.”

2026
“Watched on Tuesday February 24, 2026.”

2026
“Watched on Monday February 23, 2026.”

2018
“Watched on Saturday February 7, 2026.”

2026
“Watched on Friday January 30, 2026.”

2026
“Watched on Thursday January 29, 2026.”

2026
“Watched on Thursday January 22, 2026.”

2017

2022

2008
“Watched on Saturday January 17, 2026.”

2012
“Watched on Friday January 16, 2026.”

2026
“Watched on Friday January 16, 2026.”

2026
“Watched on Thursday January 15, 2026.”

2012
“Watched on Saturday January 10, 2026.”

2021

2012

2017

2008

2022

2019

2015

2022

2021